Glass Fusing Class

Glass Fusing Class

The tools of the trade

I love working with glass.  While I've done lamp working for many years, I had never done glass fusing, or kiln working, before and wasn't too interested until I found a new store opening along one of the streets I often used in Mamaroneck.  This turned out to be a new store, workshop and gallery for Bullseye Glass, an American art glass manufacturer based in Portland, OR.  I had to check this out. 

It is only a street away from the Mamaroneck Metro North Station.  Easy trip from Grand Central Terminal in the city!

A veritable candy shop for glass fanatics!

Samples of work and Bullseye is big on education.  There are classes for the complete beginner and the experienced glass artist, and you can rent time in their studio and kiln time for firing your projects after you take the proper classes.

Part of the location is a spare and elegant gallery for contemporary glass artists

The Studio in the back, full of kilns and well lit work tables 

All the staff are incredibly helpful and friendly.  My introductory class was taught by James O'Neill

This is my worktable at home, but Bullseye provides all the tools and glass you need for the class

The class introduced us to the tools we needed to use and the different kinds and colors of glass we could use to make and decorate a plate.  A lot of glass was pre-cut, but we all practiced scoring glass with the cutter and breaking it with the splitting tool.  It was a lot easier to cut and break than I remember in high school stained glass class!  Glass came in sheets, in powder and frit, and in stringers - thin round sticks like vermicelli.  Everyone in the class thought of different ways to decorate their plate.  When we finished the plate went on a kiln board for it's first fusing in the kiln.  This was called a full fuse, as all the glass would melt together to make a single flat 6mm layer.  

My glass after firing in the kiln

After the full fuse, the glass would be put on a mold for the slump fuse and a second firing.  This time the kiln would be set to a lower temperature and the glass would just melt into the shape of the mold .

This is one of my glass plates atop a mold.  The molds are ceramic but specially coated to prevent the glass from sticking.

This is what my plate turned out like.  I used strips of glass, frit, and stringer.

I got a lovely plate and another new hobby started!  I would highly recommend classes at Bullseye to anyone who is interested.  The introductory class is quite easy and very reasonably priced.  Glass makes great gifts!

www.http://www.bullseyeglass.com/products/resource-center-new-york.html

Jody Lee www.astudiobythesea.etsy.com

Sumi-e Artist Koho Yamamoto, New York City’s Treasure

"I believe that one has to be strong and bold, and unafraid to make mistakes."
Koho Yamamoto

Anyone familiar with the local history of sumi-e in New York City knows about artist Koho Yamamoto. At 95 years young, she has taught hundreds of students Japanese ink painting over the years. Her work, which ranges from expressionistic landscapes to abstractions in black and white, has been recognized by many, including Mother Teresa, Isamu Noguchi, and the Smithsonian Institution.

I am a student of Koho, and call her Sensei.

"I was initiated into the sumi-e art form at Topaz Internment camp in Utah by the renowned artist Chiura Obata. My experience during WWII and my life in internment taught me to have courage during uncertain times."

It was during her time in the Japanese internment camp that Koho Yamamoto developed her love for art. She devoted herself to her art under the guidance of her teacher, Chiura Obata, the renowned painter and educator who founded the art schools in the camps.

“My paintings come from nothingness.”

The current Soho exhibition, "The Handshake," showcases her life's masterpieces and the genius of Koho Yamamoto. Her abstractions captivate the viewer with energetic brushstrokes full of life. This impressive collection of ink paintings leaves the viewer in awe of her artistic vision and sheer talent.  In "Bamboo2", the bamboo stalk is masterfully rendered in a single brush stroke!

Much more than my sensei, I consider Koho a living legend. Every class is an enriching and joyful experience. She is my inspiration! Don't miss her exhibit, on view until November 15 at Cubico in Soho, NYC. RSVP:  https://artveer.com

Read more about her at KohoArt. 

Nicoletta is a lifelong artist and art educator, with an M.A. in Art Education and Administration. She travels the world seeking cultural inspiration for her art, and has worked in fibers, acrylics, oils, and sculpture. She currently teaches elementary art education, adult oil painting and sumi-eclasses in New Jersey.  She is also known for her unique jewelry, inspired by the reinvention of the mundane zipper, featured throughout the NY/NJ area as Artologie Zipper Jewelry.

(Faux) Zatar Roasted Potatoes

What is Zatar?

For a recent family gathering I was assigned to make Zatar roasted Potatoes. I must be out of the loop because I had no idea what Zatar was.After looking it up I found it was a middle eastern spice that is very trendy now. So trendy in fact that there was none to be found in the stores in my neighborhood. I found a couple of recipes for faux Zatar and gave it a try.

 

Zatar has Sumac in it, this faux zatar replaces that with lemon peel.

I have a big family so had 5 lbs, of red potatoes ready to go, you won’t need this many. Not only are we many, we all cook and love to eat. I grow thyme so had plenty dried. for some reason I saved and dried the peels of lemons I had juiced. Sesame seeds needed to be toasted but basically I was ready to go.

 

Recipe

Preheat oven to 425 degrees
Recipe: for about 4 servings
Cut 4 potatoes into bite size pieces and par boil about 10 minutes
2 tablespoons dried thyme
2 tablespoons dried lemon peel - replaces Sumac whichI didn’t have
2 tablespoons sesame seeds, toasted
Course salt to taste
Grind together in food processor or spice grinder

Place par boiled potatoes on parchment paper - I love using this whenever possible saves a lot on clean up!
sprinkle oil on potatoes and toss
Sprinkle with Zatar mixture
Roast for 35 minutes..
If inclined drizzle sesame tahini on top and serve

 

 

 

Sumi-e: An Introduction

The first time I picked up a bamboo brush was in a third-grade classroom in Japan. It was the highlight of the day for our visiting group of teachers from America. The initial experience of dipping that brush into the ink and writing my first kanji is unforgettable. Twenty years later, I have rediscovered my fascination with Japanese ink painting, known as sumi-e. In this first installment in a series, I will introduce some basics to get to started in sumi-e.

Experiencing calligraphy for the first time, twenty years ago in Japan.

Not So Simple

One may hear of "the simple art of sumi-e", but sumi-e is far from simple. It has the potential to be life-changing, as the practice of painting with ink is more than the art form. The sumi-e artist is challenged with capturing the essence of a subject with the fewest brushstrokes. It requires self-discipline, courage, and the willingness to take risks in learning to use the ink and brush confidently. Once the mark is made with the brush, there is no turning back, and no corrections can be made. This encourages dedication to improve, spontaneity and in time, energetic paintings full of life.

traditional ink painting supplies

The Four Treasures

In sumi-e, the essential materials are known as "The Four Treasures." While it may be easier to use bottled ink, I find that grinding my own ink allows me to focus as I prepare to paint. 

  • Paper (washi): While a variety of rice papers and silk is traditionally used, beginners will actually practice on many, many sheets of newspaper.
  • Brush (fude): The brush is traditionally made of natural materials with a bamboo handle in a variety of sizes.
  • Ink (sumi): This is a dry stick of ink, also known as pine soot ink. Bottled ink is used as well.
  • Ink Stone (suzuri): The ink stick is rubbed in water onto this stone which has an area carved out to hold the new liquid ink.

practice on newspaper before using expensive rice paper

Beginning Sumi-e

The basic strokes of sumi-e can be learned by practicing specific subject matter found in nature.  The photos above show some of my early experiments with bamboo, pine, and plum blossom, the building blocks of sumi-e painting. The techniques learned can be applied to all aspects of brush painting, and is a necessary foundation to expanding to other subjects. Practicing these subjects teach control of the ink and handling of the brush: making confident strokes without hesitation is key, as this will show in the work. Since results are immediate, one can instantly determine the effectiveness of technique. The practice of sumi-e takes great dedication, and the process can be quite fulfilling to both artists and non-artists.  Stay tuned for more in my journey! 

Nicoletta is a lifelong artist and art educator, with an M.A. in Art Education and Administration. She travels the world seeking cultural inspiration for her art, and has worked in fibers, acrylics, oils, and sculpture. She currently teaches elementary art education, adult oil painting and sumi-e classes in New Jersey.  She is also known for her unique jewelry, inspired by the reinvention of the mundane zipper, featured throughout the NY/NJ area as Artologie Zipper Jewelry.

DIY: Craft Fair Table Display

in ,

DIY: Craft Fair Table Display

This summer I decided to make a table display that had shelves for my craft items to sit on, and that could fit inside the largest luggage allowed by airlines without penalty.  My other requirements were that they would make use of height, since I could be selling from a 4' table space, be clamped to the table to withstand wind, and to be made from materials I already had around the house.  I have gone through so many different displays and selling so many different kinds of crafts, that I didn't want to spend any more money on my next wacky idea.  And since we have been over twenty years in our house, there were a lot of odds and ends that I could use; much of the wood came from a torn down tree-house or remnants from fixing up the old garage.  For this job I needed a table saw, a miter saw, a sander, a drill press, and cordless drills; I had plenty of screws and nails from previous projects, and all of these things I had bought previously.  I don't come from a handy family, and often I don't know the names of things I need or use.  Thanks to YouTube and HGTV, I plunge ahead into my very amateur woodworking adventures.

I plotted out the size after measuring my large luggage case, and decided it could be 27" high and 20" wide, with removable leg stands for clamping to the table. There would be three shelves, and the topmost rung would hold other beads/finials/box toppers.  When you build your own display, you can design it to show off exactly what you make.  For example, I have another display from re-used materials for jewelry, and for that I have rungs that are just right for hanging 16" necklaces on one shelf and 18" necklaces on the one below.

Old wood that have been in the yard for 17 years.  Re-Use!  Holes and old paint just add interest!

Cutting up all the pieces.  And all my tools are cheap - I'm not making fine furniture, after all.

Making the boxes for the leg stands

The assembled leg stand

Adding rims to the upper shelves

Drilling holes on the top rung.  I will put cut pieces of brass wire to put in them to hold my toppers. 

Attaching the shelves to the standing legs; because the shelves will fold flat, a strip of wood on the back will keep it in place when folded out, and so the shelf back hangs a little farther out than the leg. 

The shelves are attached with screws or glass headed screws (that I'd made for an earlier display - one that failed to work as planned!)

I measured the shelves to open to 90 degrees from the legs

And added stoppers underneath the shelves to keep them in place when in use

A wooden strip across the back also keeps the shelf in place and keeps things from falling off.

It works!  I decided I didn't need any rims yet for the lowest shelf.  I may put something there later.  The two top shelves hold very light objects, so they can be on the thin side.

I decided to paint the shelves as the different kinds of wood was distracting from my boxes.  Just with gesso I already had in stock.  Note - sometimes I used my glass beads as shelf stoppers!

The legs were wobbly in the leg stands.  Amateur woodworker me had measured incorrectly and left too much room in them!  But I wanted to be able to make each display moveable on its own anyway, so I lampworked glass fins onto some wood screws, drilled holes into the backs of the leg stands, and used the finned screws to keep the legs in place and steady.  Fins are better than round knobs - they give you a better grip for turning.

The screws dig into the legs of the display and all are soundly but not permanently attached.  Yay!

All folded up.  The two displays weigh about 15 pounds together.  Not a light weight display, but that was secondary to my requirements.

The finished display stands

What the display will look like when it is in use.

Unattached box toppers can be displayed on the very top rung by putting brass wires in the pre-drilled holes.  This is also an effective way to hang necklaces and jewelry for display.

Labyrinth or Maze?

There's something mesmerizing about labyrinths and mazes. Being immersed in solving a large-scale puzzle provides fascination as well as inspiration. However, there is a definite distinction between a labyrinth and a maze. Mazes are puzzles in which choices are made as to paths and directions. A labyrinth, however, is a single, meditative, path leading to the center through a series of concentric rings, known as circuits. One can think of a maze as a place to get lost, and a labyrinth as a place to find oneself. 

"Be Present" Labyrinth: Take a "walk" around this labyrinth with your finger to stimulate productivity.

Found all over the world since ancient times, labyrinths have a purpose: they are used as walking meditation, personal transformation, and a way to re-focus and stimulate creativity. Want to "walk" a labyrinth right now? Use your finger to trace the path to the center (and back out again) on the finger-labyrinth above.  

Need a break from the hustle and bustle of the city?  Take a walk in New York City's Battery Park, where you will find the hidden gem known as the "Labyrinth for Contemplation." 

Which do you prefer, a labyrinth, or a maze?

Nicoletta is a lifelong artist and art educator, with an M.A. in Art Education and Administration. She travels the world seeking cultural inspiration for her art, and has worked in fibers, acrylics, oils, and sculpture. Her current work is inspired by the reinvention of the mundane zipper, elevated to an art form into unexpected jewelry designs, and shown throughout the New York/New Jersey area as Artologie Zipper Jewelry.